MAN, I DON'T KNOW HOW I LET YOU TALK ME INTO THIS.
EVERY SMALLVILLE HIGH STUDENT NEEDS TO COMPLETE
30 HOURS OF COMMUNITY SERVICE.
YEAH, BUT WE COULD HAVE SERVED OUR COMMUNITY
BY LIFEGUARDING THE GIRLS' SWIM CLASS AT THE "Y"
INSTEAD OF HANGING OUT WITH THE DENTURE CROWD.
WHAT'S THE ATTRACTION?
HI, CLARK, PETE.
LANA! I DIDN'T KNOW YOU WERE VOLUNTEERING HERE.
Yeah, right.
FOR A COUPLE OF WEEKS NOW.
ARE YOU PART OF THE COMPANION PROGRAM?
YEAH, I'M READING WITH CASSANDRA.
SHE'S AN INTERESTING WOMAN.
SOME OF THE NURSES SAY SHE CAN SEE THE FUTURE.
YOU GUYS ARE IN FOR A REAL TREAT.
IT TAKES TWO OF YOU TO READ TO ME NOW, DOES IT?
DON'T JUST STAND THERE. COME IN.
HOW'D YOU KNOW THERE WERE TWO OF US?
I'M BLIND, NOT DEAF.
I HEARD YOUR LITTLE FRIEND'S SHOES SQUEAKING
ALL THE WAY DOWN THE HALL.
CAN YOU REALLY TELL THE FUTURE?
WAY TO GO, PETE... REAL SUBTLE.
WHAT'S YOUR NAME?
PETE ROSS.
MR. ROSS, IF YOU WANT YOUR FORTUNE TOLD,
GO TO THE CIRCUS.
OH.
OH... IT'S A LONG WALK HOME, MR. ROSS.
CHECK YOUR POCKETS.
OH, MAN... I LOCKED MY KEYS IN THE CAR.
DUDE, YOU'RE ON YOUR OWN.
NOW... WHAT'S YOUR NAME?
MR. BOLLSTON? IT'S LANA LANG.
[ CLASSICAL PIANO MUSIC PLAYING ]
[ MUSIC STOPS ]
LANG?
THE LANGS MOVED TO SMALLVILLE IN 1938.
TOOK OVER A COUPLE OF DUST-BOWL FARMS...
KNEW A BARGAIN WHEN THEY SAW IT.
YOU'RE A LOCAL HISTORY BUFF.
IT'S KIND OF MY OBSESSION.
SO... ARE YOU MY NEXT VICTIM?
YOU DON'T LOOK THAT SCARY TO ME.
YOU SHOULD HAVE KNOWN ME IN MY YOUNGER DAYS.
I'M SURE YOU WERE QUITE THE HEARTBREAKER.
HOW ABOUT A SPIN AROUND THE GROUNDS,
AND YOU CAN TELL ME
WHAT THE LANGS HAVE BEEN DOING SINCE 1938?
IT'S SO BEAUTIFUL.
I DON'T KNOW WHY MORE PEOPLE DON'T COME OUT HERE.
THEY'RE TOO BUSY WATCHING TELEVISION.
SAY, WOULD YOU MIND RUNNING BACK TO MY ROOM
AND GETTING ME A SCARF?
I DON'T WANT TO CATCH A CHILL.
SURE.
OH, HONEY... YOU'RE A DOLL.
[ HACKING ]
[ COUGHING ]
WATER, PL... [ COUGHS ]
[ ELECTRICITY CRACKLING ]
[ LAUGHS ]
WHOO!
WHAT'S WRONG?
SOMEONE CLOSE TO YOU IS GOING TO DIE...
VERY SOON.
♫ SOMEBODY SAVE ME ♫
♫ LET YOUR WARM HANDS BREAK RIGHT THROUGH ♫
♫ SOMEBODY SAVE ME ♫
♫ I DON'T CARE HOW YOU DO IT ♫
♫ JUST STAY ♫
♫ STAY WITH ME ♫
♫ STAY ♫
♫ COME ON ♫
♫ I'VE BEEN WAITING FOR YOU ♫
♫ JUST STAY WITH ME ♫
♫ I'VE MADE THIS WHOLE WORLD SHINE FOR YOU ♫
♫ STAY ♫
♫ COME ON ♫
[ SAW BUZZING ]
[ SAW SHUTS OFF ]
GUYS, WHEN YOU NEED THIS KIND OF STUFF DONE,
JUST ASK ME. THAT'S WHAT I'M HERE FOR.
IS SOMETHING BOTHERING YOU, CLARK?
NO, I JUST THINK WE SHOULD START PUTTING SAFETY FIRST.
IF YOU HAVEN'T NOTICED, THIS STUFF IS PRETTY DANGEROUS.
WELL, THIS IS A FARM. IT GOES WITH THE TERRITORY.
SERIOUSLY, SON, WHAT'S GOING ON?
WHEN I WAS AT THE RETIREMENT CENTER,
I MET THIS OLD BLIND LADY.
I KNOW THIS SOUNDS CRAZY, BUT SHE CAN SEE THE FUTURE.
WHAT DID SHE TELL YOU?
THAT SOMEONE VERY CLOSE TO ME WILL DIE SOON.
LISTEN, CLARK, YOU CAN'T LET SOME OLD LADY SCARE YOU
WITH A HALF-BAKED PREDICTION.
SHE PROBABLY JUST DOES IT TO SCARE THE NURSES, ANYWAY.
SHE TOLD PETE HE'D BE WALKING HOME.
SECONDS LATER, HE REALIZED
HE'D LOCKED HIS KEYS IN HIS CAR.
NO ONE CAN TELL THE FUTURE.
WHAT IF SHE CAN? WHAT IF SHE TOLD ME
BECAUSE THERE'S SOMETHING I CAN DO ABOUT IT?
THEN SHE SHOULD HAVE GIVEN YOU MORE INFORMATION,
LIKE NAME, TIME, AND PLACE.
AND EVEN IF SHE CAN PREDICT THE FUTURE,
THERE'S NOTHING SHE CAN DO TO CONTROL IT.
NOBODY CAN.
[ SAW BUZZING ]
[ SIGHS ]
HMPH.
FATE'S GIVING YOU A SECOND CHANCE, HARRY BOY.
AND THIS TIME... THEY'RE GONNA PAY.
[ IMITATES GUNSHOT ]
[ ROCK MUSIC PLAYING ]
[ EXHALES DEEPLY ]
GOD, I HAVEN'T BEEN ABLE TO EAT ONE OF THESE IN YEARS...
I MEAN, NOT SINCE THE BYPASS.
THAT WAS A JOKE.
YOU'RE A RIOT. [ GIGGLES ]
WHAT CAN I GET YOU TO DRINK?
UM... [ CLEARS THROAT ]
HOW MUCH IS COFFEE...
FROM, YOU KNOW, BEANS?
$2.75.
DID THEY CARRY IT HERE FROM SOUTH AMERICA BY FOOT?
YOU SOUND LIKE MY GRANDPA.
JUST MAKE SURE IT'S HOT.
YEAH, WHATEVER.
IT'S NOT YOUR FAULT, LANA.
DO YOU KNOW ANYONE ELSE WHO'S LOST
AN ENTIRE OLD PERSON IN A WHEELCHAIR?
NO. THAT'S PRETTY IMPRESSIVE,
EVEN BY SMALLVILLE STANDARDS.
MAYBE HE WAS KIDNAPPED.
WHO'D WANT TO KIDNAP HARRY? HE'S JUST A HARMLESS OLD MAN.
MAYBE A KOI TURNED INTO A PIRANHA AND ATE HIM.
YOU ASKED FOR MY HELP. I'M THINKING OUT OF THE BOX.
I LIKE YOUR THEORY.
YOU KNOW, YOU MIGHT WANT TO WORK ON
YOUR EAVESDROPPING TECHNIQUE.
SORRY. I'M, UH... I'M NEW IN TOWN.
I JUST HEARD THIS IS WHERE YOUNG PEOPLE CONGREGATE.
YEAH, WE CONGREGATE HERE OFTEN.
HI, I'M CLARK. THE RUDE ONE'S CHLOE.
AND THIS IS... LANA LANG.
NAMETAG WAS A BIG CLUE.
SO, UH... GOOD LUCK FINDING YOUR MISSING OLD PERSON.
ENJOY YOUR COFFEE.
THEY BROUGHT IT IN BY BURRO THIS MORNING.
THANKS, HONEY. YOU'RE A DOLL.
[ CLASSICAL MUSIC PLAYING ]
YOU PLAY BEAUTIFULLY!
I WAS SUPPOSED TO ATTEND THE METROPOLIS CONSERVATORY.
YOUR VOICE SOUNDS YOUNG.
THE CONSERVATORY CLOSED ITS DOORS IN THE '70s.
I MEAN, I'VE ALWAYS DREAMED OF ATTENDING THERE...
THAT IS, IF I LIVED IN A DIFFERENT TIME.
AH.
ANY CHANCE YOU COULD GIVE AN OLD LADY A HAND
BACK TO HER ROOM?
HMM?
I already know my future.
[ TIRES SCREECHING ]
YOU MIGHT CONSIDER ROUNDING THOSE CURVES AT A SPEED
THAT WON'T ACTUALLY BREAK THE SOUND BARRIER.
WHERE'S THE FUN IN THAT?
SERIOUSLY. YOU COULD GET HURT.
WHY THE SUDDEN INTEREST IN MY HEALTH?
I MET THIS WOMAN AT THE RETIREMENT CENTER,
AND SHE CAN KIND OF SEE THE FUTURE.
YEAH? SHE TELL YOU YOUR FUTURE?
NOT EXACTLY.
SHE SAID SOMEONE VERY CLOSE TO ME WOULD...
DIE?
I KNOW IT SOUNDS NUTS,
BUT WHEN YOU TALK TO HER, IT'S LIKE SHE REALLY KNOWS.
COME ON, CLARK.
SHE KNOWS WHEN SHE HAS A GOOD AUDIENCE.
YOU SOUND LIKE MY PARENTS.
THAT'S GOTTA BE A FIRST.
LEX, I THINK THIS WOMAN'S THE REAL DEAL.
THEN THE QUESTION YOU'VE GOTTA ASK YOURSELF IS...
DO YOU REALLY WANNA KNOW THE FUTURE?
DON'T YOU WISH YOU KNEW HOW IT WAS ALL GONNA TURN OUT?
LIFE'S A JOURNEY, CLARK.
I DON'T WANNA GO THROUGH IT FOLLOWING A ROAD MAP.
IT STILL WOULDN'T KILL YOU TO DRIVE MORE SLOWLY.
WHY? I HAVE YOU AS A FRIEND.
YOU CHANGED MY FUTURE ONCE, RIGHT?
I GOT SOME MORE DELIVERIES TO MAKE.
YOU NEVER TOLD ME THIS WOMAN'S NAME.
I THOUGHT YOU WEREN'T INTERESTED.
MAYBE I'll ASK HER FOR SOME STOCK TIPS.
CASSANDRA CARVER.
I DON'T THINK THAT'S GONNA HELP BRING HARRY BACK.
CLARK, WHAT ARE YOU DOING HERE SO LATE?
I CAME TO SEE CASSANDRA IF SHE'S STILL UP.
WHAT HAPPENED TO HARRY'S YOUNG PICTURE?
I DON'T KNOW.
IS EVERYTHING OKAY?
I MET WITH THE ADMINISTRATOR...
YOU KNOW, TO TELL THEM WHAT I KNEW ABOUT HARRY.
THE POLICE WERE THERE.
WELL, IT'S A MISSING-PERSON CASE.
THAT'S NOT UNUSUAL.
THAT'S NOT THE REASON.
HARRY BOLLSTON'S REAL NAME IS HARRY VOLK.
HE WAS A MURDERER, CLARK.
A MURDERER?
WHY WOULD THEY LET SOMEONE LIKE THAT STAY HERE?
BECAUSE IT HAPPENED 60 YEARS AGO, WHEN HE WAS 17.
I GUESS THEY FIGURED HE WAS JUST A HARMLESS OLD MAN
WHO MOVED BACK TO HIS HOMETOWN TO DIE.
BACK IN THE '40s,
HE WAS STUDYING TO BE A CONCERT PIANIST.
HE WAS UP FOR A FULL SCHOLARSHIP TO THE METROPOLIS CONSERVATORY.
BUT HIS TEACHER RECOMMENDED SOMEBODY ELSE.
SO HE KILLED HIS TEACHER?
NO.
HE SAID THE TEACHER KILLED HIS DREAM,
SO HE KILLED THE TEACHER'S DREAM...
THE MAN'S SON.
COME ON... LET'S GO. COME ON! LET'S GO.
THROW THE BALL. THROW THE BALL!
WATCH THE BLITZ!
YES! YES! HA HA!
[ ELECTRICITY CRACKLING ]
YOU GOT IT... DAMN IT.
[ KNOCK ON DOOR ]
CAN I HELP YOU?
EVENIN'.
SORRY ABOUT THE TROUBLE, SIR.
WE GOT A FAULTY LINE ABOUT A MILE DOWN THE ROAD.
I WANTED TO MAKE SURE
YOUR CIRCUIT BREAKER HADN'T BEEN FRIED.
ANYBODY ELSE AT HOME?
NO, I'M DIVORCED.
I SAW THE NAME WAS, UH... JIM GAGE.
ANY RELATION TO A RANDOLPH GAGE?
WELL, I'D SAY SO. HE WAS MY FATHER.
HE PASSED BACK IN '93.
I REMEMBER READING HIS OBITUARY.
IT SAID HE OPENED
THE FIRST CAR DEALERSHIP IN SMALLVILLE.
IN 1935! YOU GOT A GOOD MEMORY.
THANKS. I HAD A LOT OF TIME TO KILL.
WE GOT THREE DEALERSHIPS IN THREE COUNTIES NOW.
SOUNDS LIKE YOUR FATHER LEFT YOU A BRIGHT FUTURE.
ARE YOU GOING TO COME IN OR NOT, MR. KENT?
HOW DO YOU DO THAT?
WHEN ONE SENSE GOES, THE OTHERS GET... HEIGHTENED.
OH, I MUST ADMIT, AFTER YESTERDAY,
I THOUGHT I'D NEVER SEE YOU AGAIN.
SIT.
WHAT YOU TOLD ME, I CAN'T GET OUT OF MY HEAD.
IMAGINE HOW I FEEL.
WHEN IT FIRST STARTED HAPPENING, I, UH...
I THOUGHT IT WAS A CURSE.
I KEPT GETTING SNAPSHOTS OF THINGS I COULDN'T CONTROL.
WHEN DID THEY START?
WHEN I FIRST LOST MY SIGHT.
IT'S FUNNY... I WOKE UP THAT MORNING, LIKE ANY OTHER.
THEN THE METEORS CAME.
ONE HIT A FIELD BEHIND MY HOUSE.
THE FLASH BURNT MY OPTIC NERVES.
I'M SORRY.
IT'S NOT YOUR FAULT.
IT'S AMAZING HOW ONE MOMENT CAN CHANGE YOUR LIFE FOREVER.
MY FRIENDS AND FAMILY, THEY THINK THAT YOU'RE...
A FRAUD, HUH?
[ CHUCKLES ]
PEOPLE ARE AFRAID OF THE UNKNOWN, CLARK.
THEY ONLY WANT TO KNOW
IF EVERYTHING'S GONNA TURN OUT ALL RIGHT.
I CAN'T GUARANTEE THAT.
WHAT I CAN SHOW YOU ARE SIGNPOSTS ON YOUR JOURNEY.
WHAT YOU DO WITH THEM IS UP TO YOU.
I'VE GOT SO MANY QUESTIONS IN MY LIFE.
I JUST WANT SOME ANSWERS.
CLOSER.
NOW... TAKE MY HAND.
[ THUNDER CRASHES ]
NO!!
NO.
YOU SAW THAT, TOO?
CLARK!
CLARK, MAYBE YOU WERE HAVING SOME KIND OF HALLUCINATION.
IT WASN'T A HALLUCINATION.
IT WAS A GLIMPSE OF THE FUTURE... MY FUTURE.
AND YOU SAW AN ENDLESS GRAVEYARD?
LIKE I WAS THE LAST PERSON ON EARTH.
LOOK, SON, I DON'T KNOW WHAT YOU DID OR DIDN'T SEE,
BUT COME ON... YOU GOTTA CONSIDER THE SOURCE.
RIGHT. WE DON'T KNOW ANYTHING ABOUT THIS WOMAN.
I KNOW SHE LOST HER VISION IN THE METEOR SHOWER.
OH, UH, AND THAT MAKES IT
SO THAT SHE CAN PREDICT THE FUTURE?
IS IT SO CRAZY?
I GET HIT BY A CAR, AND I'M FINE.
I WALK THROUGH FIRE, AND I'M OKAY.
WHAT'S NEXT?
YOU CAN'T LET THIS ONE IMAGE CONSUME YOUR WHOLE LIFE.
WHAT IF IT IS MY DESTINY TO OUTLIVE EVERYONE I LOVE?
I DON'T WANNA BE ALONE.
CLARK...
I DON'T KNOW WHAT YOUR FUTURE HOLDS.
I THINK THIS WOMAN HAS THE ANSWERS.
THE ONLY PERSON WHO CONTROLS YOUR DESTINY IS YOU.
WELL, RIGHT NOW
I DON'T FEEL LIKE I HAVE CONTROL OF ANYTHING.
CASSANDRA CARVER?
DO THOSE EXPENSIVE SHOES COME WITH A NAME?
LEX LUTHOR.
OH.
OF LUTHOR... EVERYTHING, INCORPORATED?
MORE OR LESS.
AND WHAT DOES THE SAVIOR OF SMALLVILLE WANT
WITH AN OLD BLIND WOMAN?
YOU SEEM TO HAVE MADE A REAL IMPRESSION
ON MY FRIEND CLARK.
SO YOU CAME TO SEE FOR YOURSELF?
CLARK'S NOT STUPID.
IF HE SAYS YOU KNOW THINGS,
THERE MUST BE SOMETHING THAT MADE HIM THINK THAT.
WHAT GIVES ME THE FEELING
YOU'RE NOT HERE FOR STOCK TIPS, MR. LUTHOR?
PLEASE... CALL ME LEX.
I WAS HOPING YOU COULD GIVE ME SOME INSIGHT INTO CLARK.
AND YOU CALL HIM A FRIEND, DO YOU?
HE SAVED MY LIFE, BUT HE'S ALSO A MYSTERY.
MOST PEOPLE ARE.
THAT'S WHAT MAKES THEM INTERESTING.
I'M WILLING TO TREAT THIS AS A PROFESSIONAL SERVICE.
SAVE YOUR MONEY, LEX.
I CAN'T TELL YOU ABOUT CLARK...
EVEN IF I WANTED TO.
I CAN ONLY TELL THE FUTURE OF THE PERSON I TOUCH.
HMM?
I DON'T NEED TO KNOW MY FUTURE.
WHY?
BECAUSE YOUR FATHER ALREADY HAS IT MAPPED OUT FOR YOU?
I BELIEVE WE MAKE OUR OWN DESTINY.
AND DON'T YOU WANT A GLIMPSE OF WHAT IT IS YOU'LL MAKE?
MAYBE I'll SEE YOUR FRIEND CLARK, OR...
MAYBE I'll SEE SOMETHING ELSE.
GOODBYE, MISS CARVER.
IT'S BEEN ENLIGHTENING.
COME BACK AGAIN, HMM?
WHEN YOU'RE READY.
[ DOOR OPENS ]
CHLOE, WHAT... SHE'S NOT BACK YET.
LANA, WHAT ARE YOU DOING HERE?
CHLOE CALLED ME, TOO.
SHE SAID SHE HAD SOME INFO ON HARRY.
WHEN I GOT HERE, I STARTED LOOKING AROUND.
I FOUND THIS.
CHLOE CALLS IT THE "WALL OF WEIRD."
SHE BELIEVES EVERYTHING STRANGE IN SMALLVILLE
STARTED WITH THE METEOR SHOWER.
HOW ABOUT YOU, CLARK?
DO YOU BELIEVE THAT?
YEAH, I GUESS I DO.
DOES THAT INCLUDE ME?
I'M UP THERE WITH THE 3-HEADED CALF
AND THE MONSTER FROM CRATER LAKE.
THE STUFF ON THIS WALL HAS NOTHING TO DO WITH YOU.
REMEMBER WHEN YOU SAID
PEOPLE KEEP THEIR DARKEST SECRETS HIDDEN?
MINE'S OUT THERE FOR ALL THE WORLD TO SEE.
IT'S HARD WHEN EVERYONE KNOWS YOUR TRAGEDY.
THEY TREAT YOU DIFFERENTLY...
LIKE YOU'RE GONNA BREAK.
I'M SURE THEY JUST FEEL BAD AND WANT TO HELP.
I KNOW, BUT ALL THEY DO IS REMIND YOU
OF THE MOST PAINFUL MOMENT OF YOUR LIFE.
HOW WOULD THAT MAKE YOU FEEL, CLARK?
LIKE I WISH I COULD GO BACK IN TIME
AND ERASE THAT MOMENT FOREVER.
I THOUGHT HIGH SCHOOL WOULD BE DIFFERENT,
THAT I COULD FINALLY START PUTTING IT BEHIND ME...
BUT EVERYWHERE I GO, THERE IT IS.
MAYBE I SHOULD JUST ACCEPT MY DESTINY.
ALL I'M EVER GONNA BE
IS A LITTLE GIRL IN A FAIRY-PRINCESS COSTUME
WHO LOST HER PARENTS.
I DON'T SEE YOU THAT WAY.
I KNOW YOU DON'T, CLARK.
YOU'RE THE ONLY ONE WHO DOESN'T.
CLARK... I GOT YOUR MESSAGE.
WHAT HAPPENED?
I THOUGHT WE WERE ALL SUPPOSED TO MEET AT THE TORCH.
I'M SORRY. I DIDN'T MEAN TO BLOW YOU GUYS OFF.
WILL THE LOVELY MISS LANG BE JOINING US?
NO, I THINK SHE HAD ENOUGH WEIRDNESS FOR ONE DAY.
WHAT HAVE YOU GOT?
A GUY WAS FOUND DEAD IN HIS HOUSE.
HE WAS BLINDFOLDED AND STRANGLED WITH A PIANO WIRE.
WHICH IS THE SAME SIGNATURE HARRY VOLK USED IN 1945.
SOUNDS LIKE A COPYCAT.
A COPYCAT OF A MURDER THAT HAPPENED 60 YEARS AGO,
TWO DAYS AFTER THE ORIGINAL KILLER HAPPENED TO DISAPPEAR?
HARRY'S IN A WHEELCHAIR...
NOT EXACTLY IN PRIME CONDITION TO GO ON A CRIME SPREE.
WELL, I FOUND THIS PICTURE OF HARRY FROM THE '40s.
IT LOOKS LIKE THE KID WE SAW IN THE BEANERY.
MAYBE HE'S GOT A GRANDSON.
OR MAYBE IT'S HARRY.
I DON'T THINK WE SHOULD START LOOKING FOR TIME MACHINES YET.
FINE. WHERE DO YOU THINK WE SHOULD START?
IF SOMEONE IS FOLLOWING IN HARRY'S FOOTSTEPS,
MAYBE THEY SENT SOME FAN MAIL.
[ CLASSICAL PIANO MUSIC PLAYING ]
WE CLOSE AT 9:00, MOZART.
[ SIGHS ] YOUR PIANO NEEDS TUNING.
THAT'S BECAUSE NOBODY'S PLAYED IT IN YEARS.
MM.
YOU WANT TO SETTLE UP?
CAN I GET ONE MORE COFFEE?
DON'T YOU HAVE SOMEWHERE TO GO?
COME ON, YOU CAN CLEAN UP TO THE SOUNDS OF CHOPIN.
ZOE, BE A DOLL.
I GUESS.
[ CLASSICAL PIANO MUSIC PLAYING ]
WHAT HAPPENS IF SOMEONE SEES US SEARCHING HARRY'S ROOM?
HOW ABOUT WE DON'T GET SEEN?
CLARK, IS THAT YOU?
HARRY'S ROOM IS DOWN THE HALLWAY.
I'll MEET YOU THERE.
THE OTHER NIGHT YOU LEFT IN A HURRY.
SIT.
I, UH [CLEARS THROAT] I HOPED YOU'D COME BACK.
I'M SORRY.
YOU SAW THAT... WHATEVER IT WAS.
I ALWAYS SEE THEM.
THE QUESTION IS, HOW DID YOU?
I DON'T KNOW.
WASN'T I SUPPOSED TO?
NOBODY EVER HAS.
WHY ME?
BECAUSE... WE BOTH KNOW...
YOU'RE NOT LIKE OTHER PEOPLE.
SURE, I AM.
NO, CLARK, I'VE SEEN YOU...
BEFORE WE EVER MET.
MORE THAN ONCE I'VE TOUCHED PEOPLE,
AND I'VE SEEN SUCH PAIN AND DESPAIR AND...
BUT THEN YOU WERE THERE,
AND THE PAIN WAS GONE.
I THINK THAT'S YOUR DESTINY, CLARK...
TO HELP PEOPLE,
TO SAVE THEM FROM FEAR AND DARKNESS.
HOW?
WELL, THAT'S FOR YOU TO FIGURE OUT.
YOU CAN FEAR THE FUTURE, OR...
YOU CAN EMBRACE IT.
THE CHOICE IS YOURS.
WHO ARE THEY?!
PEOPLE WHO NEED YOUR HELP.
HOW AM I SUPPOSED TO HELP THEM IF I DON'T KNOW WHO THEY ARE?
I'M NOT A RADIO...
I DON'T PICK UP CONTINUOUS TRANSMISSIONS.
THAT'S ALL I HAVE.
I'll FIGURE IT OUT.
CLARK... YOUR SECRET'S SAFE WITH ME.
YOU GUYS HAVE ANY LUCK?
NO FAN MAIL, JUST A BUNCH OF OLD NEWS CLIPPINGS
FROM THE SMALLVILLE LEDGER... OBITUARIES...
ARTICLES...
THE GUY'S BEEN OBSESSED WITH SMALLVILLE FOR 50 YEARS.
CLARK, IS SOMETHING WRONG?
IT'S HER.
IT'S WHO?
I GOTTA GO!
[ INHALES SHARPLY ]
THANKS FOR THE SERENADE,
BUT UNLESS YOU'RE SLEEPING HERE, WHICH YOU'RE NOT,
I'M HEADING OUT.
WHAT'S THIS?
THEY DON'T TEACH GREEK IN SCHOOL ANYMORE?
IT'S EURIPIDES.
"THE SINS OF THE FATHER ARE VISITED ON THE CHILDREN."
YOU PLAY BEETHOVEN AND YOU SPEAK GREEK?
REAL CUTE.
WHAT'S THAT GOT TO DO WITH ME?
ACTUALLY, ZOE GARFIELD, QUITE A BIT.
YOUR GRANDMOTHER, EVE GARFIELD...
SHE DIED LAST YEAR, RIGHT?
I WAS MEANT FOR BIG CITIES AND GREAT CONCERT HALLS...
THAT WAS MY DESTINY...
AND YOUR GRANDMOTHER...
SHE HELPED KILL THAT FUTURE.
AND NOW...
I'M GONNA KILL YOURS.
NO!
LET HER GO!
AH-AH! DON'T MOVE! DON'T MOVE!
[ WHIMPERING ]
I SAID LET HER GO.
DIDN'T YOUR PARENTS TEACH YOU TO RESPECT YOUR ELDERS?
AAHHHH!
AAH!
[ BRAKES SQUEAL ]
[ SCRAPING, RATTLING ]
TAKE CARE OF HER.
[ CRASH ]
ZOE'S GONNA BE OKAY,
BUT THAT TRUCK DRIVER COULD HAVE SWORN HE HIT YOU.
DON'T WORRY... HE'S NOT ASKING ANY QUESTIONS.
IS THAT KID IN JAIL?
NO, HE'S IN THE HOSPITAL OVERNIGHT FOR OBSERVATION.
DOES ZOE KNOW WHY HE WANTED TO KILL HER?
SHE'S JUST GRATEFUL YOU HAPPENED TO COME ALONG.
IS THAT WHAT YOU TOLD THE POLICE?
I FIGURED THEY WOULDN'T WANT TO HEAR
I GOT A VISION FROM AN OLD BLIND LADY.
I'M NOT SURE HOW I FEEL ABOUT CASSANDRA.
MOM, SHE'S MY FRIEND.
SHE TOLD ME MY DESTINY WAS TO HELP PEOPLE.
YOU DON'T THINK SHE KNOWS YOUR SECRET?
I DON'T THINK YOU SHOULD SEE HER ANYMORE.
IF I HADN'T GONE TO SEE HER, ZOE WOULD BE DEAD.
YOUR DESTINY MAY BE TO PROTECT PEOPLE,
BUT OURS IS TO PROTECT YOU, AND THAT'S GOTTA COME FIRST,
OKAY?
IS THIS THE PORSCHE FROM...
I DON'T UNDERSTAND. WHY DO YOU STILL HAVE IT?
I ONCE READ ABOUT A RICH MAN WHO SURVIVED A HOTEL FIRE.
HE HUNG ON TO THE LEDGE FOR AN HOUR
BEFORE THE FIRE DEPARTMENT RESCUED HIM.
AFTERWARDS, HE BOUGHT THE HOTEL...
ALWAYS STAYED IN THAT ROOM.
WHEN THEY ASKED HIM WHY,
HE SAID HE FIGURED FATE COULDN'T FIND HIM TWICE.
I THOUGHT YOU DIDN'T BELIEVE IN FATE.
I DON'T...
BUT EVERY TIME I LOOK AT THIS CAR, I WONDER.
I HAD A TEAM GO OVER THIS THING INCH BY INCH.
THEY TELL ME THERE'S NO WAY
THE IMPACT COULD HAVE RIPPED OPEN THE ROOF LIKE THIS.
THEY MUST HAVE MADE A MISTAKE.
DO YOU REMEMBER ANYTHING ABOUT THE ACCIDENT?
NO, JUST THAT I PULLED YOU OUT. THAT'S IT.
I THOUGHT YOU MIGHT BE ABLE TO TELL ME MORE.
I'M SORRY.
IT'S A LITTLE STRANGE TO BE WALKING AROUND
WHEN EVERY SHRED OF EVIDENCE SAYS I SHOULD BE DEAD.
AN UNSOLVED MYSTERY, I GUESS.
MAYBE FATE HAS SOMETHING ELSE IN MIND FOR YOU.
YOU'VE BEEN SPENDING TOO MUCH TIME WITH YOUR FRIEND CASSANDRA.
WELL, AT LEAST SHE DOESN'T DWELL ON THE PAST.
LEX, YOU'RE ALIVE.
THE QUESTION THAT YOU NEED TO ASK YOURSELF NOW IS
WHERE DO YOU GO FROM HERE?
I'M HERE TO PICK UP THE KID FROM THE BEANERY ASSAULT
AND TAKE HIM INTO CUSTODY.
RIGHT... THE YOUNG JOHN DOE.
HE'S ALL YOURS. WE GOT HIM LOCKED UP IN HERE.
I CHECKED ON HIM THIS MORNING. HE'S SLEEPING LIKE A BABY.
[ Weakly ] HELP ME.
THE POLICE QUESTIONED HARRY ALL MORNING.
HE SAID HE WAS KIDNAPPED
BY THIS KID WHO WAS OBSESSED WITH HIS OLD CASE.
SO SOMEHOW IN BROAD DAYLIGHT,
THIS KID GOT OUT OF HANDCUFFS, SMUGGLED HARRY INSIDE,
AND CHAINED HIM TO A BED?
THAT'S THE OFFICIAL STORY.
IT DOESN'T MAKE SENSE.
YOU CAN ALWAYS ADD IT TO THE WALL OF WEIRD.
CLARK, ARE YOU ALL RIGHT?
NOT REALLY.
I THINK I'll GO INSIDE... AND TALK TO HARRY.
[ CLASSICAL PIANO MUSIC PLAYING ]
[ MUSIC STOPS ]
YOU KNOW, I FOUND A PICTURE OF ZOE GARFIELD
IN A BOX UNDER YOUR BED.
AND WHO ARE YOU?
CLARK KENT, BUT WE'VE ALREADY MET.
HOW DARE YOU GO THROUGH MY BELONGINGS!
HOW DO YOU EXPLAIN THE PICTURES?
WHY DO I NEED TO EXPLAIN IT?
YOU KNOW WHAT, HARRY?
I THINK YOU AND THIS KID ARE THE SAME PERSON.
[ CHUCKLES ]
I'D SAY YOU HAVE A VERY ACTIVE IMAGINATION.
I DON'T KNOW HOW YOU DID IT, BUT I KNOW IT'S YOU.
YOU SAID YOUR NAME WAS KENT?
GRANDFATHER, HIRAM?
FATHER, JONATHAN?
FUNNY...
I DON'T REMEMBER YOU ON THE FAMILY TREE.
I'll BE WATCHING YOU.
[ CHUCKLES ]
NURSE... NURSE.
HELP ME, SOMEBODY.
[ CHUCKLES ] HELP.
OH, NURSE.
OH, NURSE, HE'S HARASSING ME.
HAVEN'T I BEEN THROUGH ENOUGH?
I THINK YOU SHOULD LEAVE, YOUNG MAN.
DON'T WORRY, I'M GOING.
[ SIGHS ] THIS IS EVERYTHING I COULD FIND ON HARRY VOLK.
THE LEDGER CARRIED STORIES
ON THE TRIAL, THE MURDER, THE INVESTIGATION.
IS ANYBODY WATCHING THIS GUY?
LANA'S GOT AN EYE ON HIM.
I HEARD THAT.
WHAT ARE WE LOOKING FOR?
I DON'T KNOW... THERE'S GOTTA BE A CONNECTION
BETWEEN THE PEOPLE HARRY'S GOING AFTER.
IN ZOE GARFIELD'S STATEMENT TO THE POLICE, SHE SAID
HARRY ACCUSED HER GRANDMOTHER OF KILLING HIS FUTURE.
HARRY'S GONE.
THEY FOUND HIS WHEELCHAIR OUT BY THE KOI POND HALF AN HOUR AGO.
I SAW METEOR ROCKS IN THAT POND.
NOW WE KNOW HOW HE'S DOING THE TIME WARP.
WHAT DO YOU MEAN?
I'll EXPLAIN LATER.
WE GOTTA FIGURE OUT WHO HE'S GONNA KILL NEXT.
CLARK, TAKE A LOOK AT THIS.
WHAT IS IT?
IT'S A LIST OF THE JURORS THAT WORKED ON HARRY'S TRIAL.
RUDOLPH GAGE, EVE GARFIELD...
HE'S KILLING THE DESCENDANTS OF THE JURORS THAT CONVICTED HIM.
TALK ABOUT NOT LETTING IT GO.
CLARK, WHAT IS IT?
LOOK AT JUROR NUMBER 11.
"HIRAM KENT."
WASN'T THAT YOUR GRANDFATHER?
HARRY'S GONNA KILL MY DAD.
CAN I HELP YOU?
YEAH, I GOT A REPORT ABOUT A GAS LEAK.
YOU MIND IF I COME IN?
GAS LEAK? I DON'T SMELL GAS.
YOUR HUSBAND CALLED ABOUT IT EARLIER.
IS HE AROUND?
HE'LL BE BACK SHORTLY.
WHERE'S OUR REGULAR GAS MAN, CURT?
VACATION.
THAT'S RIGHT.
UM, WOULD YOU EXCUSE ME A MINUTE?
CURT ISN'T YOUR REGULAR GAS MAN, IS HE, MRS. KENT?
W-WHAT DO YOU WANT?
TO KILL YOUR HUSBAND.
WHAT DID JONATHAN EVER DO TO YOU?
NOTHING... BUT HIS FATHER DID.
[ GASPING ]
[ CLATTERING ]
[ BLOWS ]
COME ON, MRS. KENT!
I'M TOO OLD FOR HIDE-AND-SEEK!
[ GRATING ]
[ BLOWS ]
AAH!
JONATHAN!
YOU CAN'T SAVE HIM, MRS. KENT.
[ WHISTLING ]
AAH!
AAHHHH!
DAD!
ARE YOU OKAY?
YEAH. WHAT ARE YOU DOING? WHAT'S THE MATTER?
WHERE'S MOM?
I DON'T KNOW. WHAT'S THE MATTER?
SOMEBODY'S TRYING TO KILL YOU.
HE'S ALREADY HERE.
[ COUGHING ]
NO!
MARTHA!
AGH! MARTHA!
AGH!
AAH!
MARTHA!
COME ON, MOM! BREATHE!
MARTHA!
[ WHIMPERS ]
[ COUGHING ]
ARE YOU OKAY?
[ Gasping ] YOU THINK I'D EVER LEAVE YOU TWO ALONE?
OH, MAN!
CASSANDRA WAS WRONG, CLARK.
WELL... YOU'RE THE LAST PERSON I EXPECTED
TO WALK THROUGH MY DOOR.
I COME BEARING GIFTS.
OHH... SO DID THE GREEKS.
I WANTED TO TAKE YOU UP ON YOUR OFFER.
I THOUGHT YOU CONTROLLED YOUR OWN DESTINY.
I DO...
BUT CERTAIN THINGS HAVE HAPPENED IN MY LIFE...
SIGNS I DON'T WANT TO IGNORE.
WHAT KIND OF SIGNS?
I LIVED WHEN I SHOULD HAVE DIED.
THERE MUST BE A REASON FOR THAT.
YOU SEE, I DON'T WANT TO DO GOOD THINGS...
I WANT TO DO GREAT THINGS.
WELL, YOU DON'T NEED ME FOR THAT.
WHAT'S THE MATTER, CASSANDRA?
ARE YOU AFRAID OF WHAT YOU'LL SEE?
SIT.
YOU'VE BEEN WARNED.
[ SIGHS ]
WHAT DID YOU SEE?
I NEED SOME HELP IN HERE!
SOMEBODY!
MISS CARVER?
I'M SORRY, SON. SHE'S GONE.
SHE SAW IT.
SAW WHAT?
HER FUTURE.
Captions by VITAC... www.vitac.com
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